Tag: Science Fiction painting

Illuxcon 2015

Howdy folks!

Thought I would share the selection of new paintings I’ll be taking to Illuxcon for this year. My paintings, Sky Burial #2 & #3, Rendezvous and Buddha Returns will be hung along with my latest work.

So without further ado, here they are.. Enjoy!

 

 

 

Breakdown . Ankaris Project . 40″ x 16″ . Oil on linen

 

Desert Wreck . Ankaris Project . 52″ x 20″ . Oil on linen

 

Kunzum La . 60″ x 23″ . Oil on linen

 

Traveler . Ankaris Project . 30″ x 12″ . Oil on linen

On The Road to Illuxcon 2014, part 1.

Howdy Folks!

Thought it was about time I posted a review of my time at Illuxcon this year. However before I get to the actual event, I thought I would go through some of the planning and logistics involved in the lead up to the show, particularly some of the costs.

Allentown Art Museum . Illuxcon 7

I had been selected to show at Illuxcon for three of the last four years prior to this year, one year I didn’t bother as my circumstances simply wouldn’t allow it. Getting to the US from Australia for such a show is no small thing and requires many elements coming into alignment just to get there. This is no doubt true for artists traveling from many other countries in the world.

My career has been on course correction since 2006. Whilst working on The Fourth Magi film project, my desire to paint SF paintings in oils resurfaced and around late 2007 I started setting up a basic studio in my second bedroom. I needed to just start, I needed to take that first step as they say and get on with it. I’d been putting it off for too long. The first few paintings I hacked together were garbage, which I knew would be the case, but slowly my painting technique started coming together. Those paintings were mostly landscapes and some re-paints of my existing digital work. In time I would start painting the SF I wanted to see. Sky Burial #1 was the first SF painting that actually came together.

Around that time I had read about this show called Illuxcon, dedicated to showcasing traditional SF/F work. Awesome! I had a plan. But first I needed to create the work and crawl back into some semblance of financial stability. Around mid to late 08′, the GFC hit and the film project I was working on died, so had almost every other film or tv job out there too and what funds I had saved were soon drained by existing financial commitments, tax, tax and more tax (mostly me avoiding them.. take heed kiddies, do your taxes!!) and I was in the red. Suffice to say it was and has been a challenge getting back to some sort of even keel.

So getting to Illuxcon has not been easy to say the least. It goes without saying of course that the artistic side of the coin must also be strong enough!

 

Here is a run down of the costs involved:

1. Cost of show admittance.

2. Extra cost for larger wall space at ILX. I had larger paintings and needed wider wall space.

3. Painting time or in other words, funds to cover myself during the months leading up to the show where I can’t take on other work. This means monthly bills etc.

4. Scanning my art, colour corrections etc for eventual printing and digital backup should the originals get damaged.

5. Framing of the artwork.

6. Shipping in both directions. Although some paintings sold at Illuxcon, enough came back to almost equal the cost in outgoing shipping.

7. Airfare to US.

8. Accommodation in the US.

9. Cost of several prints, new business cards and post cards to hand out at the show.

10. Cost of one full size repro and framing of my painting Sky Burial #2 (to replace the original which ended up at the Spectrum Show at the Society of Illustrators).

11. Any other expenses associated with traveling.

12. Ongoing bills and costs back home whilst I’m away and for the month/s afterwards should work be absent upon my return.

 

The above list was something that would financially fall into place as the year went on, or it wouldn’t. Had I missed one or two jobs this year, I wouldn’t have made it to Illuxcon. It’s a delicate balance between having enough time to paint and time to work. It’s been four years of trying to get the financial and artistic balance just right so that I could get my foot onto the next stepping stone. This year I finally managed it.

My goal has been to paint SF full time and transition out of the film industry altogether. Not because I don’t like film, it’s great.. I just love painting SF more.. way more!

And Illuxcon cemented that for me this year.

 

In Part 2, I will talk about some of the artistic choices leading up to the show, how I planned out the wall space and how that somewhat related to what I painted and the size of what I painted. I will also touch on the shipping of art. So stay tuned!

 

Most of my paintings unpacked and ready to be hung at Illuxcon 7.

 

Sky Burial #3

Howdy Folks!

Here is my latest and last painting I finished before Illuxcon. I’m writing this a week out from flying to the US for the show so I should have this hanging on the wall directly in front of me by the time you read this. I wanted to hold this one back until Illuxcon opened.

This is the latest in the series and another large-ish sized canvas. A little more intimate than the others with a closer look at some characters in that world.

I started this one almost three years ago in rough form so I’m glad it’s finally come out.

Enjoy!

 

Sky Burial #3 . 60″ x 23″ . Oil on linen

 

Detail 1

 

Detail 2

 

Detail 3

 

Detail 4

 

Detail 5

Fine Art Prints . Ankaris Series

Howdy Folks!

Just letting you all know that fine art prints are now finally available of four of my Ankaris Series paintings.

They are:

Sky Burial #1, Sky Burial #2, Levitation, Rendezvous.

The series is limited to 250, signed and numbered.

Image size: 650mm x 250mm, (25.5″ x 10″), Paper size: 720mm x 320mm (28.3″ x 12.6″)

 

New Price USD$95 inc shipping.

 

Head over to my Print Page for more images and info.

 

Enjoy and thanks!

 

Levitation Fine Art Print
All of the prints laid out.

 

Levitation

Howdy Folks,

Here is the scan of my latest science fiction painting, Levitation. This is the final version of the painting that started life as a small watercolour thumbnail way back in 2001!

The actual painting is currently being framed and will soon be heading to Illuxcon along with eleven other paintings.

Here is the final with some detailed images.

Check out this post for a look at past variations of the painting. There are aspects of each that I like but no one version has it all.. so who knows, there may be another version yet to come.

For those interested, there will also be limited edition prints of this painting available very soon.

Enjoy!

Levitation . 46″ x 18″ . Oil on Linen
Detail 1
Detail 2

 

New Science Fiction Painting . Rendezvous

Howdy folks!

A new painting from my Ankaris Project to share, fresh from scanning and the latest ready to be framed and shipped off to Illuxcon.

There will be limited edition prints of this painting available soon on both paper and canvas so stay tuned.

For those interested, I get my paintings scanned by the guys at Cie-Elle Digital Imaging who use a Cruse Scanner. Their scanning and printing quality is fantastic so check them out if you live in Sydney.

 

Enjoy!

 

Rendezvous . 40″ x 16″ . (102cm x 40.6cm) . Oil on linen
Rendezvous Detail 1
Rendezvous . Detail 2

Detail 2 gives you a good idea of how awesome the scan is!

Rendezvous . Detail 3

 

 

 

The Making of Stanley Kubrick’s 2001: A Space Odyssey by Taschen Books

 

Howdy Folks!

Well here it is.. Coming soon from Taschen Books is the epic book box set titled The Making of Stanley Kubrick’s 2001: A Space Odyssey. Written by Piers Bizony. This will be one gorgeous book collection and I cannot wait to see it in the flesh.

I was invited to paint the box artwork by Taschen based on the layout design by M/M Design of Paris. The idea was to capture some of the traditional look of illustration yet also have a clean simple design.

The image was painted in oils and scanned by the chaps at Cie-Elle Digital Imaging. I made all other adjustments digitally.

The black areas were easily cleaned up by re-painting them digitally. Stars were added on a separate layer digitally rather than me painting them in by flicking oil paint around with a tooth brush! We had some placement adjustments to make and a format change right at the end which necessitated some major digital work to the final image but all in all it came out pretty much as per the layout.

Before I got to the final large format painting, I did knock out a study of HAL’s red eye. I was hoping to go looser with the painting as can be seen with the study but the final version works as a clean design.

Many thanks to Taschen Books and M/M Paris for the opportunity to contribute to such a wonderful project.

 

Enjoy!

Study of HAL 9000 eye.
Taschen Books, Making of Stanley Kubrick’s 2001: A Space Odyssey
54″ x 24″, Oil on Linen, Final Painting.
Taschen Books, Making of Stanley Kubrick’s 2001: A Space Odyssey
Final Artwork for the box set.